By the time Dallas Burrow headed to Nashville in 2018 to record his career-defining Southern Wind, the Texas-born songwriter had already wandered across much of the free world, chasing his unique muse from New Braunfels to New Orleans, from Northern California to western Spain, from the Bible Belt to Budapest. He'd been a lifelong explorer — equal parts guitar-playing gypsy and Jack Kerouac-worthy vagabond, taking note of each town's distinctive sound-track as he bounced from place to place. Those travels shaped his own music: an Americana sound influenced by folk, classic country, and rock & roll, glued together by Texas twang and autobiographical storytelling.


Somewhere along the way, Burrow grew tired of the crazy pace. He'd been on the move for years, dodging law officials on occasion (as detailed in "Rodeo," one of Southern Wind's many highlights) and playing a long string of shows with the help of intoxicants. It was time to sober up, straighten out, and approach his life — as well as his songwriting — with a clear-eyed perspective.

Southern Wind finds him bidding goodbye to those vices and taking one last look at the whirlwind of his young adulthood, a time filled with barely-believable highs — including an inspirational jam session with Bob Dylan, a shared meal of buffalo stew with Dr. John, and a period of time spent traveling with a Native American shaman — and crushing lows. It's a self-reckoning of sorts. "There are songs on the record that recount those wandering, partying days," says Burrow, who recorded the bulk of the album in two inspired days, "and there are songs that tell the story of me becoming grounded and settling down. In a way, it's a chronological story about the various parts of my life. I'm saying goodbye to the young party animal I used to be, and settling into a newfound, more mature version of whoever I am."

Burrow recorded the album with producer Eric McConnell, known for his award-winning work with Loretta Lynn, Todd Snider, and others. Joining them in the studio were a handful of all-star musicians, including guitar virtuoso Kenny Vaughan, former Johnny Cash bassist Dave Roe, Average White Band drummer Pete Abbott, Edwin McCain collaborator Larry Chaney, harmony singer Sierra Ferrell ("she's like a gypsy Dolly Parton," Burrow says), and guitarist Frank Rische. Chris Scruggs — grandson of bluegrass legend Earl Scruggs, as well as a member of Marty Stuart's Fabulous Superlatives — played lap steel guitar, while world-renowned fiddler Billy Contreras also contributed.

On an album filled with Nashville star power, it's Dallas Burrow who shines the brightest. He sings each track in a voice that's been convincingly roughened by the life he's left behind, and he writes about familiar topics — the clean slate of childhood, the angst of adolescence, the rambling rush of a life lived on the run, and the eventual return to a quieter, more rewarding way of life — with a frank simplicity that's both new and nuanced. After nearly losing his way, Dallas Burrow has come home, blown back to his Texas roots by the Southern Wind.


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